Trismegistus Shandy

A House Divided

A House Divided

by Trismegistus Shandy

This short novel (43,800 words) is in the same setting as my earlier novelette “Butterflies are the Gentlest.” They take place simultaneously, but there are no characters in common; I reckon you could read them in either order. I’m calling the setting itself “the Valentine Divergence”; if anyone else wants to write stories in this setting, feel free.

Rodric and Melisande

Rodric and Melisande
by Trismegistus Shandy

Wine Can't Be Pressed Into Grapes

Wine Can't Be Pressed Into Grapes
by Trismegistus Shandy

Trismegistus Shandy

Works by
Trismegistus Shandy

Beta readers wanted for the sequel to "Wine Can't Be Pressed

I'm looking for beta readers to critique the sequel to Wine Can't Be Pressed Into Grapes. Copyediting would be nice, but what I mainly need is for someone to look at it with fresh eyes and see if there are any plot holes, whether anything is unclear or (unintentionally) ambiguous, whether the various plot threads hang together in a cohesive whole, whether the ending is satisfying, and so forth. It's 204,000 words,

A House Divided, part 7 of 7

“Most of you already know Jeffrey Sergeyev,” Ms. Turner said in a loud voice. “She will be using the girls' facilities from now on, as I explained Friday. Please be courteous to her.”

“Ignore the bit where she called me ‘she’ and ‘her’,” I said to the girls nearest me.

A House Divided, part 6 of 7

“Sir,” I said, trying to stay calm and respectful, “could you please ask Ms. Turner not to refer to me with female pronouns?”

“Well,” he said, “we have to use some pronoun or other. Perhaps one of the English teachers can recommend a good gender-neutral pronoun.”

A House Divided, part 5 of 7

“I know there would be problems with you using the girls’ bathrooms or showers,” Dad said, “but — after today, there might be just as bad problems showering with the other boys.”

A House Divided, part 4 of 7

“I can’t,” Arnie said. “Keith and Tara Saunders invited me to a party at their house. I asked if you could come, but they said it’s centaurs only,” he went on, looking vaguely embarrassed.

“Have fun,” I said. I felt weird about that, and wondered if things like that were going to happen often, and if so, if this was the beginning of the end of our friendship.

The Valentine Divergence

The Valentine Divergence
Setting notes

by Trismegistus Shandy

Updated 2012/7/12 re: very small and very large neospecies

Before I start talking about the world in which my stories “Butterflies are the Gentlest” and “A House Divided” are set (warning: this will contain spoilers for those stories), let me clear up a couple of possible misunderstandings. This isn’t exactly a “story bible” like the writers of Star Trek episodes or tie-in books have to religiously adhere to, or a set of “rules” like those that ElrodW wrote for his MAU setting.

A House Divided, part 3 of 7

“I don’t like this,” Mom said. “I don’t see how you can keep it up, and the longer you manage to pretend, the more people are going to be hurt and offended when they find out you lied to them.”

I was starting to worry that she might be right, but I wasn’t going to back out unless she and Dad forced my hand by telling people.

A House Divided, part 2 of 7

Dad snuggled in next to Mom on the sofa; she put aside the skirt she was working on and they hugged and kissed, but I thought I saw a little bit of hesitation, and it hurt. I knew too many kids at school whose parents were divorced, or looked like they might get a divorce any time now, and I was happy to think that my parents looked like the sticking-together kind. But when I saw her hesitate a little before letting him hug her and kiss her, it worried me. Could they still stay together after changing in such drastic and different ways? And if not, what would happen to me?

Quarantine Cove


Quarantine Cove

A House Divided, part 1 of 7

We used the men’s room — I felt vaguely guilty about that, but I was too embarrassed to use the ladies' room, and we both still looked male, as long as we had clothes on.

Quarantine Cove, part 3 of 3

Some of us were glad to have a few dozen more male bodies in the mix, so we could be of our preferred sex more often; but by then I think most of us were starting to get used to femininity — if we did not enjoy it, at least we had stopped complaining about it.

Quarantine Cove, part 2 of 3

“As much as I like this Gulliver overall, I think Quindlen made a mistake to have the Houyhnhnms be intelligent draftbeasts.”

“Why?” Spar asked. “Do you think he should have said they were intelligent... what was it in the original? Unicorns?”

Quarantine Cove, part 1 of 3

“Spar! Come on in,” I said. We had all thought my cousin Spartacus was immune to the changing, since he hadn’t caught it when other children did on several occasions when it was going around the village. But it was obvious now that she wasn’t.

Wine Can't be Pressed into Grapes, part 22 of 22

“Take off that silly disguise, Verentsu, and tell me what's going on! And you, Shalasan — if that's really your name — what are you doing here?”

Wine Can't be Pressed into Grapes, part 21 of 22

Then they were on a vast field, with scattered bodies and parts of bodies lying everywhere, and ravens and vultures fluttering from one choice morsel to another. Only one human figure was moving on that field; Kazmina ran towards him.

Wine Can't be Pressed into Grapes, part 20 of 22

It didn't take them long to get out of their wet things, but it took them a lot longer to get into dry ones.

Wine Can't be Pressed into Grapes, part 19 of 22

“I do need you,” she said, beginning to tremble. “I said — I said I didn't want to change back, and I don't, but I want even more to be with you, to make you happy. If the only way I can do that is to change —”

“Shh,” he said. “No, you don't have to change for me.”

Wine Can't be Pressed into Grapes, part 18 of 22

She undressed in the dark and stashed her clothes and shoes on the shelves, then looked inward at her structure, deciding what form she wanted for this purpose. She started making changes, reducing her size and altering her structure. Twitching her whiskers and sniffing gingerly at the door, she slipped quietly into the corridor and scurried down it towards the front parlor.

Wine Can't be Pressed into Grapes, part 17 of 22

“Come,” she said playfully, “I have no romantic illusions about my own brother — I know perfectly well she loves you a hundred times better than you deserve. If it were any other woman, I would try to discourage her by telling her embarrassing stories about you, but Launuru already knows them all, so I'll just have to accept your good fortune.”

Wine Can't be Pressed into Grapes, part 16 of 22

Launuru hated herself for her cowardice as soon as she'd run away, but was too ashamed to go back. It was too late to fix things; she'd gambled her relationship with Verentsu, hoping to turn friendship into love, but now she'd made such a mess that there was probably no way they could go back to being friends.

Wine Can't be Pressed into Grapes, part 15 of 22

“You said you were not betrothed to any man back home; do you hope that Verentsu will ask you to be his bride?”

“Yes,” Launuru said shyly. “But I am afraid...” The geas wouldn't let her complete the sentence.

Wine Can't be Pressed into Grapes, part 14 of 22

“What's your custom here in Niluri?” Kazmina asked. “Is a woman normally allowed to ask a man to marry her? It's hard to judge from Tsavila or you what women are normally expected to act like here; even in Setuaznu, enchantresses are allowed more privileges than mundane women, and as for you...”

Wine Can't be Pressed into Grapes, part 12 of 22

Hadn't Tsavila said that he should be kind to her, for she'd suffered enough already? If she was compelled to act this part against her will, further probing could do no good; he had already learned enough to be sure she was no Vetuatsenu. Various moments of their conversations the day before came back to him: she had repeatedly changed the subject when someone brought up recent events in Netuatsenu, or asked more than a few questions about her family.

Wine Can't be Pressed into Grapes, part 11 of 22

“You're probably not related to her, either.”

“What do you mean?”

“I mean I don't know who my mother was. She was a wizard, and probably not from Setuaznu or Niluri or anywhere in between, but my father never talks about her.”

Wine Can't be Pressed into Grapes, part 10 of 22

“Don't go away. Don't let him make you go away.”

“How? Is Kazmina strong enough to defend me against him?”

“No. But I am.”

Wine Can't be Pressed into Grapes, part 9 of 22

“Maybe he did as the servant said, maybe not. Either way, I fear he did meet with some misfortune, for the last I heard his family had not heard from him either. But wine can't be pressed into grapes. I met Itsulanu when I was angry and sad, and he comforted me. Now in less than three days he is to be my husband, and that makes me happier than I can say. I wish my sometime lover may be happy wherever he is; I forgive him.”

Wine Can't be Pressed into Grapes, part 8 of 22

“Love is a thing holy to Kalotse, and...” Just then she heard a wailing, which got momentarily louder; one of the servants came in holding a fussy, just-woken Miretsi. “A thing with unexpected consequences,” she concluded.

Wine Can't be Pressed into Grapes, part 7 of 22

Launuru said little in the carriage on the way back to the wizard's house. She was thinking about her reaction when Kazmina had suggested that she change back into the man she'd been when she hired the room. It had been as appalling to her just now as the idea of becoming a woman had been when Kazmina suggested it two days ago. If that were so, how could she ask Tsavila to marry her, promising to become a man again soon?

Wine Can't be Pressed into Grapes, part 6 of 22

“What do you mean, young lady, bringing my daughter's would-be lover under my roof under false pretenses?”

Rodric and Melisande, part 3 of 3

Have you gotten Melisande with child yet?”

“She would know better than I,” he said, flushing. “But she had her monthly bleeding a few days ago.”

Rodric and Melisande, part 2 of 3

“I will have to make a pilgrimage to one shrine or another, first to the nearest and then to those of the greater saints, and as far as the Holy Sepulchre if necessary.”

“That will be difficult for a woman traveling alone,” he said.

Rodric and Melisande, part 1 of 3

She was dirty and sweaty from working in the garden, but not much less beautiful for that. But it seemed odd that he did not recognize her; the wizard hired his human servants from among the peasants within a few miles of Harold’s farm, and Rodric knew everyone living in that region.

When she raised her eyes from the bush and saw him, she called out, “Help me!”

Extremity of characters' reactions to others coming out

I started to post this as a comment on a specific story, then decided it makes more sense as an observation about tg fiction in general than a criticism on a specific story, because the problem I noticed (if it is a problem) is pretty common.

Namely, an awful lot of characters in tg fiction, when they find out about another character being transsexual or gay or both, have one of two extreme reactions -- total, instant acceptance, with displays of affection (if the author wants us to sypathize with the character) or extreme bigotry, very vocal and possibly violent (if the author wants us not to sympathize).

Wine Can't be Pressed into Grapes, part 5 of 22

“Kazmina,” she said, gently shaking the wizard, “you've got to change me back now... Or tell me what's going on.”

Kazmina wasn't fully awake. “What's wrong?” she mumbled, propping up on her left arm.

“This doesn't feel wrong, that's what's wrong! I'm forgetting what I'm supposed to be, just like when we were geese. By the time we go to see Psavian, I'm afraid I'll have forgotten why I came back to find Tsavila!”

Wine Can't be Pressed into Grapes, part 4 of 22

“We need something better,” she said. “We need to make a good impression, as a pair of fine ladies — ”

“What?” he exclaimed.

“I'll explain in a little bit; I've figured out how to disguise you when we meet Psavian and Tsavila.”

Wine Can't be Pressed into Grapes, part 3 of 22

“There's a haunt; do you make away with it, you'll have sweet supper and soft bed.”

“A haunt?” Kazmina asked, dismayed.

“A phantasm, a ghost?” the woman said. “In the barn yonder.”

Wine Can't be Pressed into Grapes, part 2 of 22

“I'll be lucky if my father even attends. He doesn't have much time for those of us who didn't inherit his power. But my brothers and my cousins on my mother's side will be there, they're fun to be with, and some of our neighbors I know well... and my sister. You'll like her; she's pretty.”

She was, and he did.

Wine Can't be Pressed into Grapes, part 1 of 22

Wine Can't be Pressed into Grapes

by Trismegistus Shandy

Part 1 of 22

The man had evidently been traveling on foot for a long time. His clothes were rags that barely covered his nakedness, and his cheekbones, ribs, and hips stood out against flesh from which all the fat and too much of the muscle had been burned off some time ago.

Butterflies are the Gentlest

Butterflies are the Gentlest

by Trismegistus Shandy

The wedding was almost over when it happened. Whatever 'it' is; we're starting to figure out what but we still don't know how or why.

(Fixed a formatting problem, 2011/2/1 8:15 EST.)

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