Carl's Eyes

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Reality is the truth, but sometimes a person can have multiple truths.

Carl’s Eyes
By Angela Rasch

Austin and Kayla scrambled over and around the park’s slides and climbing bars searching for pleasures I had long ago forgotten. Their blue eyes and straw hair favored Carl.

He claimed they looked like their father, but their deep dimples came from the Jorgenson’s gene pool.

My heart had soared the first time I heard him call those two “our” grandchildren. On days like this, with a soft spring breeze gently rustling the chartreuse skirt I had worn especially for him, I could almost accept “our” grandchildren as a reality.

I had approached a point in my “experiment” Robin had warned me about.

“Bob, m’boy,” he had said, attacking his Caesar salad, in one of those places where you go to forge movie deals, “reality is just a crutch for people who can’t cope with drugs.”

Robin had signed with 20th Century Fox to star in the long-awaited sequel to Mrs. Doubtfire. He had stipulated I would be the head writer. His agent had forced the studio, to sign in blood -- granting Robin “deal-breaker” refusal rights on the script.

“MD the first was a real shithole,” Robin had said, through a mouthful of romaine lettuce. “They should have handed out pooper-scoopers at the box office. Pierce and Sally took one up the ass for moviedom. Their roles amounted to standing around looking like fucking dumb-asses. ‘Hi! I used to be a flying, fucking, dumb-ass nun and now I’m a cunt who can’t decide whether I want to fuck hunky Pierce Brosnan or chunky Robin Williams.’ Oh please! ‘You like me, you really fucking like me.’”

My thoughts of that meeting with Robin evaporated, as Carl came back with ice cream for the four of us. He sat on the bench. I automatically leaned into him to smell the sun in his flannel shirt. Life had been good to his face. Every line revealed the character that made him so . . . lovable.

Yes, lovable. Love. L-O-V-E. Despite “everything” -- I had fallen for him. No one could fault me. Nothing I could have done could have prevented my deep feelings for him.

Carl got up and gave ice cream cones to two children playing by us - leaving me with the memories of my meeting with Mork.

Robin had charmed me into skirts. He had a hard-on toward the studio for putting him in so many fucked-up movies. He wanted to deliver a poignant picture exploring gender. “No more fucking Birdcage,” he had shouted -- as if the crowded restaurant around us was a figment of my imagination. “I’m a very tolerant man, except when it comes to holding a grudge. Those numb-nuts who run Fox need a brain-douche. Just call me Massengill, Sparky. Seriously, no matter what anybody tells you, words and ideas can change the world.”

During much of our conversation, Robin might as well have been speaking Greek. He spoke too fast. His obscure references whizzed through my brain, without making an impression.

“Are you chilled?” Carl asked, yanking me back to the present. The light breeze had strengthened into more of a freezing wind. I hadn’t worn stockings, to show off my tanned legs, legs that had become covered in goosebumps.

He took off his jacket and placed it across my shoulders.

It seems to me I have a similar manly jacket, in a box somewhere, in storage. I imagine it’s patiently waiting for me to put aside my softer, frillier things.

He took my hands into his with practiced familiarity. The sweet scent from the body-wash I had used floated around us. Carl circled me with his arm to comfort me, making it easier to slide into the past once again.

Robin had prepared for his role as Euphegenia Doubtfire by going out into the real world dressed in his movie make-up and costumes. By presenting himself to San Francisco as an elderly British woman, he had gained background for the movie. “I even went into an adult bookstore and bought a book. Nobody ever said ‘shit’ about it. I did Mrs. Doubtfire the first time at Carnegie Hall when I pretended to be Andy Kaufman’s grandmother.”

“Should we go home?” Carl asked. I sighed, as I yo-yoed back and forth, between a pleasant afternoon with Carl and my memories of lunch with a Hollywood icon.

Home? Carl had asked if I wanted to go “home.” Although we had been seeing each other for what seemed like years, I couldn’t remember ever spending time alone with him. The idea of a “home” with Carl slipped in and out of my certainty.

I smiled to gain a moment, while I thought. I found it easier to slide again, into the past, and leave my misgivings, of the temptations sure to arise at Carl’s place.

“You’ll need an in-depth understanding of femininity to write the sequel,” Robin had said. “You need to experience the softer side -- as I did. You’re small enough to do the research right. If you’re man enough to do it.” He cackled at his own gag, as I gauged just how deeply Robin enjoyed his own wit. “Get into what you write. Convince yourself that you’re a woman. Make yourself forget you’ve ever been a man. You’re only given a little spark of madness. You mustn’t lose it.”

“Austin has that stormy look in his eye,” Carl whispered, gaining my attention once more. We huddled close together, his warmth seducing me. “If we don’t leave pretty soon, he and Kayla will be at each other.”

At each other? Carl had tipped his hand. We had kissed several times, and he wanted more - much more. His daughter, Carl said, had gone out of town for the day. He would get me to his lair, quickly put Austin and . . . what is her name . . .? Austin and his sister. . .. He would put them down for a nap, and then make his move. Deep inside I could almost imagine what sex with him would feel like. His . . . thing . . . pulsating inside of my . . . vagina.

There are moments -- days even -- when I forget my real identity.

Robin had warned me about stepping over the line. “You become who people think you are,” he had said. “It was exciting when I did it. Sometimes I felt like Adam when he said to Eve, ‘Back up, I don’t know how big this thing gets.’”

I have to be careful not to fool myself so much that I actually allow Carl to take advantage of me. Not that him “taking advantage of me” is all that possible. I have, errrmmm . . . plumbing problems.

For as long as I had been doing this, I had disciplined myself not to touch my . . . down there, below my waist. I averted my eyes when I put on my undergarments, and carefully bathed, using an enormous amount of bubble bath so as not to remind myself of what lurked beneath the water.

The doctors have been giving me estrogen. Their every action suggests I had been born a woman. When I went to my salon, they treated me with kindness, never saying a word about. . .. It became easier to float along on a pink cloud.

I’ll start writing the screenplay, just as soon as I gather my thoughts.

“Let’s go home, Angela.”

Angela. I had taken my mother’s middle name and added the middle name “Marie” to reflect my Catholic upbringing. Angela Marie Hoemburg. The last name reflected pure writer’s crap, out of the old blue. I had made a Victoria out of a Victor.

Kayla and that little boy with her took my hands and helped me from the bench. They chirped like little magpies about cookies and milk. M’gosh, they had just finished ice cream, and two seconds later actually squealed about their starvation. The little girl tugged at my wedding ring.

I had told Carl a flimsy story about a marriage years ago, adding a vague notion of having lost my spouse to cancer. Carl hadn’t pried, which was good, because it felt creepy talking about my beloved, departed wife under such surreal circumstances.

Carl had painted his house a lovely shade of teal.

I owned a car that color, once. Ohhh . . . not a car. How silly of me. It had been a set of china with a teal imprint.

“It’s time for your Exelon, Angela.” He handed me a pill and a glass of water. We had moved to -- no surprise -- his bedroom.

That pill is supposed to help me remember, that much I haven’t forgotten.

I sat in a chair a lot like something I would buy -- waiting -- for something.

“We won’t let Mr. ‘Alzheimer’ get the best of you,” he said, grinning away a look of concern from his handsome face.

I committed his face to memory, knowing such things could be fleeting.

His eyes locked into mine. They were the kind of eyes that drew you in and in and in.

I could love those eyes. I feel as if I had loved those eyes for a long, long time. I wonder why.

I looked over his shoulder with more intent than maybe I should have, at a framed movie poster on his wall. They had made the main color black -- not a very attractive color. Huge red lips, and then the greenish mustache made to look like a movie marquee’s lights caught my attention. “Victor / Victoria” the poster blared.

Carl had turned to follow my gaze. “You did a wonderful job writing that screenplay, Angela. The work you did to prep yourself. . .. I don’t know how you ever did it. You’re the most feminine woman I ever met, yet you passed yourself off as a man for six bearded weeks.”

Me . . . a writer? Once again, the present became too hard to grasp. The past beckoned me with open arms.

“Carpe per diem,” Robin said, “seize the check.” He had laughed and laughed at his own joke as he shoved the tab toward me.

I chuckled, loving his humor. He and I are so much alike, at times.

The End

If you’ve enjoyed this story, please leave a kudos and a comment. They mean a lot to me.

Thanks to Gabi for the review and help.

I have donated a group of stories to BC to help generate revenue for this site. Erin has said that these stories have raised tens of thousands of dollars in revenue for BC. I don’t receive any of that revenue.

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Stories available through Doppler Press on Amazon:
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All Those Things You Always Pined For
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Baseball Annie
The Girl Who Saved Aunt T’s
Her
She Like Me
How You Play the Game
Hair Soup
Perfectionists
Imperfect Futures
The Handshake That Hides the Snake

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Comments

Very interesting

I really liked this, but I'm afraid the references at the end missed me too. Fortunately, comments at the end kept me from having to looking up what Exelon is used for. Knowing that makes all the flashbacks and such make sense. Very nice once you have clue!

Hugs!

Grover

PS: I've often observed that stories you sweated blood and put your heart and soul into gets little to no attention. The ones you whip up almost as an afterthought gets all kinds of comments and such. Go figure! :)

The phantom voter accomplished one unexpected thing

Andrea Lena's picture

Your comment elsewhere included a reference to this story, which I had never read. I have now and I found it fascinating, clever, well crafted and sadly neglected. Thank you phantom voter for provoking my exploration, and thank you Jill for providing me with an excellent tale.
She was born for all the wrong reasons but grew up for all the right ones.
Tutto il mio apprezzamento, cari, Andrea

  

To be alive is to be vulnerable. Madeleine L'Engle
Love, Andrea Lena

Carpe Per Diem

joannebarbarella's picture

That really sounds like Robin.

Did all that really happen more than ten years ago? Don't time fly when you're having fun? Or maybe Alzheimers is coming for me. It certainly isn't coming for you Jill. I thought this story was very poignant.

I thought the story was cool

Thanks for drawing attention to this story. I would have never read it if you hadn't. Yes It's thought provoking, but that's what makes it a good read. Anyone can go to the library and check out Dick and Jane, Arecee

Writing for your own pleasure

There is nothing wrong with that, being the author gives you the advantage of knowing what you are witing about.
But some of us lesser folk have to work it out ourselves.
I admit with this one the comments were the only thing which clued me in.
Now I get it and yes it's, how can I say it kindly,I like your other work better.

LoL
Rita

Age is an issue of mind over matter.
If you don't mind, it doesn't matter!
(Mark Twain)

LoL
Rita

I admit...

I would've missed this except for all the hoopla it's been getting and a "Recent Comment" bringing me to the story.

What can I say(?), except I enjoyed a story I could've easily overlooked. Had I done that, it would've been my loss.

PB

Brought up to the front

Podracer's picture

I'm very glad that we have this story exposed to new readership - and repeat customers too - I thought it grand, Angela's musing under her lover's care in the later rears of life. Super characterisation of Robin, his passion and fast wit coming over.

"Reach for the sun."

A strange piece to try and get a grasp on.

The information is there, but nebulous and in and out, never giving you time to fully connect the dots and return to normalcy. It very much makes its point, and is at once sweet, fascinating, and unbearably sad.

Well done.

Melanie E.

Wow ...

Well done. Poignant and a bit scary, especially to those of us getting ... er ... more mature. At first it only seems like recollection... then the small memory lapses... then realizing who Carl really is...

Thanks for a wonderful story ...

I had to look up "Exelon"

But once I did, the story makes sense to me.

My grandmother had "Mr. ‘Alzh’". I wonder if this is what it felt like for her ...

DogSig.png

Revised Story

"Carl's Eyes" is a simple short story. In my opinion it is the best story I've written, either TG fiction or otherwise. Unfortunately, it attracted a very small readership.

I've posted the revised version.

Angela Rasch (Jill M I)

Angela Rasch (Jill M I)

Deep

Deep and intensely psychological.

On one level I appreciated the cleverness and smooth prose, the skillful use of flashbacks and the surreal ending, which satisfied - to some degree, but the ending lacked that clarity that I needed. It could be that wishes became reality, or that Angela is living in her own fantasy world, or that the play's the thing...

But you kept me guessing the entire story, and then at the end I still don't know.

I know that others on FM reviewed it like it was a masterpiece, and stylistically, I don't disagree, but honestly, I wanted to see that solid conclusion, where the entire story is abruptly put into clear defined context.

Aardvark

"Happiness is when what you think, what you say, and what you do are in harmony."

Mahatma Gandhi

Too Subtle??????

Carl's Eyes is one of my least successful stories.

It has attracted a very small amount of hits and only one comment, which said the ending was not clear.

I would aruge that the ending is quite clear - but then I had created all the clues for the reader, if the reader wished to take the time to think them through and maybe do a little research. Why is her last name Hoemburg? Why is that pure writer's crap? And, what does that have to do with Exelon?

The question would be -- are we required as a writer to make everything clear and concise? Do we owe it to the reader to spoon feed information to them?

People read for a variety of reasons, one being recreation. Is it right for the author to challenge the reader in a TG setting?

Angela Rasch (Jill M I)

Angela Rasch (Jill M I)

Too Subtle

I'd never heard of Exelon, and didn't know that estrogen is used for Alzheimers in addition to it's primary, accepted use in TG stories - the reference didn't clarify matters for me, it led me down a different path. The "Hoemburg" name I looked up, when you pointed it out in the above comment, but danged if I know how that would have clarified matters: I already knew that the protagonist was involved in Victor/Victoria and taking estrogen. I caught the "Mr. Alzh" reference, but thought that it could have been an allusion of concern - a gentle joke to a dear friend whose mind tends to wander. If I had taken the time to look up "Exelon" my conclusions would have narrowed, but as it was, Alzheimers was one of three possibilities.

I think you said it yourself: I had created all the clues for the reader, if the reader wished to take the time to think them through and maybe do a little research.

The question would be -- are we required as a writer to make everything clear and concise? Do we owe it to the reader to spoon feed information to them?

Sure, the reader should make a legitimate effort to understand a story. Challenge their brains. Dare them to understand you if you want. I would also turn it around: Should the majority of readers have to do research to pick up clues that are central to understanding the story? I would say, heck no. Even MENSA mind games and good detective stories don't do that.

Is this a good example of Stephan King's writing advice: are you writing as if you are talking to someone? If so, I hope that he or she has instant access to Google.com.

Others on FM obviously liked it very much. I liked parts of it very much, too. This is one reader's impression of it. If the majority disagrees, well - I can accept that.

Aardvark

"Happiness is when what you think, what you say, and what you do are in harmony."

Mahatma Gandhi