You Meant it for Evil - 16

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You meant it for evil - 16
by Maeryn Lamonte

“Miss Raeburn, this is detective inspector Chubb. I caught something of your official opening on the telly this afternoon and may I say it was a most impressive showing.”

“Thank-you detective inspector, it's kind of you to say.”

“I only tell it as I see it Miss Raeburn. Speaking of which, I was over at the institute where your, er, sisters are being treated. I spent some time chatting to the doctors responsible for their care, suggested that you might be able to help. It seems they agree. They were wondering if you might be free to visit tomorrow.”

-oOo-

The place Emily and Charlotte were being held was just outside the M25 in roughly the four o'clock position, that is to say just into Kent. It consisted of a large, gabled redbrick building with tall chimneys in immaculately tended grounds. Some of the trees in front of the main building seemed older than history and the overall effect, even on such a dull, overcast day, was of serenity and calm.

I drove slowly up the drive, keeping my little motor's usual throaty roar to a quite burbling growl and pulled into a free parking space. The doctor I had spoken to the previous day had said that both girls were usually a bit calmer and more receptive in the afternoon so Mike and I had spent a quiet, almost subdued, morning ambling through Epping's forested trails on horseback before joining Katie for lunch at the riding school. Mike and Katie chatted away about family matters leaving me to my own thoughts, for which I was grateful, then Mike drove me back to my place.

“Are you sure you'll be alright? I can ask James to hold the fort until I get there.”

My smile was distracted but genuine. This was Mike at his most supportive, giving me the space I needed whilst staying close, and I loved him for it.

“No, it'll be fine. Just first time jitters.”

“Well it's not every day you get to meet two complete strangers who look exactly like you, especially when they're both completely Dagenham East.”

“Dagenham..?”

“Four stops on from Barking.*”

I managed a laugh and returned from the far country my mind had been wandering since yesterday's call. He had his hand on the gear stick and I reached out my own to cover it briefly.

“You are so exactly what the doctor ordered sometimes Mike, but I should be fine. I'm kind of nervous because I don't know if I'll be able to help either of them, but I guess whatever I can do has to be better than what they have right?”

Mike shook his head with a smile.

“You know, if you weren't drop dead gorgeous I think I'd still love you. I've never known anyone who cares so much for other people.”

“Now that sounds like permission to eat like a pig once we're married. You don't know how much I have missed chocolate.”

Mike looked at me nervously until I couldn't keep it up anymore and let out a burst of giggles.

“It was exactly the right thing to say Mike and I shouldn't punish you for that. I love you too much to do something like that to you.”

We pulled up outside my flat and I reached over to give him a long kiss. His face was a little scratchy, something I found I liked about him; a reminder that I was the girl in this relationship. I stroked his cheek gently as I withdrew and reconsidered. There was a definite early showing of five o'clock shadow and it is a woman's prerogative to take control of the little details in her man's life.

“You may want to shave before you get too involved with the cooking. I'll give you a call later.”

One last kiss then I was out of the car and into the flat. Time was getting on and I didn't have enough to change, but that was ok, this was a jeans and sweater day anyway; I didn't want to freak out the two boy-come-girls by turning up looking like Princess Peach, or perhaps Daisy who was closer to my colouring. I just needed pick up a couple of bags of things I'd put aside for them. After that it was out on the A316, almost the opposite direction, as far as the M25 then around the south of the city towards my destination.

-oOo-

The nurse visibly blanched as I approached, reaching nervously under the counter for something. I gave her as cheerful a smile as I could manage given my state of mind.

“Good afternoon. I'm Liz Raeburn. I'm here to visit my sisters.”

Two male nurses appeared, followed soon after by a middle aged doctor. They looked at the nurse behind the reception and she nodded, still nervous, in my direction. Light dawned in the doctor's eyes.

“Ah, mistaken identity. Understandable. Mike, Adam, it's ok. Visitor, not patient. Jane it's in the appointment book. Elizabeth Raeburn to visit her two sisters. Seems you haven't been watching the television recently.”

The nurse looked embarrassed and mumbled an apology in my direction. The doctor wasn't quite finished.

“No need Jane. Better safe than sorry and no harm done eh?”

He turned his head my way. His mannerisms were a little odd, short and jerky like his speech. Almost like I was talking to a sparrow or a blue tit. He thrust out a hand which I took, still a little off balance from odd reception.

“Doctor Marston. Let's get you signed in. Jane I think we'll need a safety word for Miss Raeburn.”

It was his longest sentence so far and just a little incongruous because of it. The nurse turned her attention towards me, still a little red from her mistake, but a little more confident now that she was following her training.

“I'm sorry for the mistake miss. We, er , we... because you look quite a lot like one, er, two of the patients here, we need a way of distinguishing between you and them. To do this we use a challenge response system. It will only happen if a member of staff is uncertain of your identity, and when you leave of course. When one of the doctors or nurses uses the challenge word, you are expected to respond with er, well, the response word. We try to keep the words unusual so that they aren't likely to be used in everyday conversation, and unrelated so that there is no way of guessing the response from the challenge.

“In your case we'll use the challenge word of 'embrasure' and the response will be 'phoenix'.”

“Good, good, now sign in and I'll take you to meet your sisters. Imagine you'll be glad to be reunited after all this time. Don't expect much, please. Both very disturbed. Hoping you'll be able to get through where we haven't.”

While he was talking I signed details into the visitors' book and attached the visitor's badge to my leather jacket. He then walked off down the corridor that Mark and Adam had recently taken, indicating that I should follow. After what seemed a mile of maze we arrived outside a plain yuk-yellow painted door.

“This one’s the quieter of the two. I'll come in with you to start with, make sure things are settled, then I'll leave you to it. What's in the bags?”

“Oh, just some clothes and pyjamas. I wasn't sure what she would have to wear.”

“Just clothes? Nothing else? May I look?”

I handed the bag over and he rummaged through it before handing it back, evidently satisfied.

“Hands off, they're mine.”

The voice was low and scratchy. I spun round to find an old man in wheelchair being wheeled past. Was it my imagination or was there a shadow in his eyes? Doctor Marston turned to see what had distracted me.

“Don't mind Mr Langley. All bark, no bite.”

The doctor slid his key-card into a slot in the wall and pushed the door open, waving me in ahead of him.

“This is Paula. Quieter of your two sisters.”

“Paula?”

“The name she gave when she first came here. You saying that's not right?”

At a guess this would be Paul Bailey, one of the two names DI Chubb had given me. I walked through the door ignoring the question.

The room was tastefully decorated as long as you were a fan of pink. There was a bed, heavy wrought iron and bolted to the floor just visible under the valance, and a desk and chair, also bolted down. The windows were barred but tastefully draped with curtains. The floor was linoleum, but thick and soft. In the corner, curled up as I had first seen her (him?) the first time, sat a figure in a nightdress, rocking gently back and forth.

“Hello Paula. It's Doctor Marston. I've brought someone to see you.”.

I walked over close to the traumatised figure and folded my legs under me, settling onto the floor beside him.

“Hello Paul.”

He looked up at me, eyes wide with denial.

“No, no, no, no, no, no...”

It went on and on, a continuous monotone. He hid his face in his knees.

“I'm a friend Paul, I want to help.”

“You're, you're, you're... no, no, no, no, no...”

“I'm like you Paul. I met a young woman with green eyes and red hair, and now I'm like you.”

I reached out a hand to touch him gently on the arm. He shuddered slightly but didn't withdraw.

I was conscious of Doctor Marston behind me. I didn't want to give so much away in his presence that he would invite me to stay in one of the adjoining rooms. He'd heard enough to peak his curiosity though. He crouched down next to me.

“Who is this green eyed woman?”

“Please doctor, I'll talk to you afterwards. For now would you mind giving us some privacy.”

He wasn't happy but withdrew even so. Just as the door closed I heard it again, quiet, at the very edge of hearing.

“He's mine.”

I looked around and all I could see was a closed door. Overactive imagination. I turned my attention back to Paul who was rocking a little faster.

“That's what happened wasn't it Paul? You went to a bar and met a drop dead gorgeous green-eyed redhead who warned you that she only made out with girls.”

The rocking sped up if anything, trying to blot out my words and where they would take him.

“Then she took you back to her flat. About ten minutes’ walk away, sixth floor, filled with kind of primitive art from around the world, no photographs. She kept warning you, but her body language said something else so you kissed her, then the room spun around and seemed to get bigger and the next thing you knew you were as you are now.”

The rocking had stopped. He wouldn't look at me, but he was listening, intently.

“When you woke up in the morning there was a nasty letter telling you to get dressed and leave by midday. It said you had no identity, that your only way of making money now was as a prostitute, that if you tried to tell someone about what had happened to you, you'd end up, well, in a place like this. The wardrobe was full of tarty clothes, but you had no choice but to get dressed and leave. After that the story is your own.”

I waited, so did he. I cracked first.

“Your name was Paul Bailey. Mine was Ken Stanton. I met Mary in the Meet Market, a club that opened in Soho a couple of months ago. I'm pretty sure of everything I told you, because it happened to me the same way. It's what left me looking like this and, I'm pretty sure, you looking like that.”

I reached out a hand and rested it on his wrist. After an uncertain moment, he raised his eyes to mine.

“You're not alone Paul.”

“Is... Is there a way out of this?”

“Out of the institute, perhaps. Out of being a girl, I don' think so.”

He started rocking again.

“I can't be a girl. I'm not a girl. I'm a guy. I can't be a girl.”

I pulled him gently towards me and held him while the tears flowed. This was going to take time and I had to hold myself back from rushing ahead with all the things I wanted to say. Eventually he quieted and I eased him back away from me.

“I brought you some things.”

“Like what?”

“Well I wasn't sure what you got to wear in a place like this so I hedged a bit. There are some cotton pyjamas, a pair of jeans and some tee-shirts, socks and underwear.

“What do you mean underwear?”

I rummaged in one of the bags and pulled out some plain white cotton panties and a similar sports bra.

“That's girl's underwear.”

“I know and the jeans and tee-shirts are women's cut too. You have to face the fact that you have a girl's body now so it's best to stick with clothes designed to fit it. On the plus side, as a girl you get to choose how you look. I didn't think you'd have much time for frills and lace so everything's plain, unadorned and in neutral colours.”

“Yeah and that's a bra. How am going to feel like I'm not a girl wearing a bra?”

“Well you'll definitely feel that you're a girl if you don't wear one. Look, it's a sports bra. It could almost be a vest. Yes admittedly a very short vest, but work with me here. You won't feel it that much and it'll stop things from jiggling around.

“Try it, you won't know until you do.”

He was on the fence and I didn't have time to coax him off it. I glanced at my watch. Doctor Marston would be back any time.

“Listen Paul, I don't have much time with you this visit so I'm not going to use it up persuading you to do this thing. I'll leave the clothes with you and you can decide for yourself. If you'll at least try then we’ll find out whether it helps or whether I have to think of something else. I know we don't know each other, but as far as the rest of the world is concerned, there's no way you can be anything except my identical twin sister. In some ways we do have a common experience holding us together, and for the life of me I am not giving up on you. I'm going to come back as often as I can and do whatever it takes to help you deal with this. If I can find a way out for you I will, but one way or another you don't have to deal with this alone.

“My time today is almost up but there's one thing I need to do before the doctor comes back. I have a friend who's been able to come up with a couple of IDs for you and the other one here like you. I didn't have much time to choose the names so you're going to have to live with one or the other. Do you want to be Emily or Charlotte?”

“What?”

“A name? An identity? With National Insurance Number, passport, driver's license, all that sort of thing. You get to be a person again, but you have to be either Emily or Charlotte. Charlotte or Emily, which is it going to be?”

The electronic bolt in the door slide back with a clunk and I turned his face so he could see the urgency in my eyes.

“Emily. I'll take Emily.”

-oOo-

“Astonished. Absolutely amazed. Been with us four weeks and all she did was sit in the corner and rock backwards and forwards. Half an hour with you and she's calmer, more lucid. How did you do it?”

“Emily's my twin, doctor. All I did was talk about some of the experiences we shared.”

“Still impressive for half an hour. What's with the clothes?”

“Both of my sisters were a bit tomboyish — we all were when we were younger — so having slightly less frilly things is likely to help.”

We were walking back down the corridor towards reception. Apparently my other 'twin' was in a different wing. Mr Langley was heading back to his room, pushed by the same orderly. I nodded and smiled as they went past.

“I'm warning you, hands off.”

Again the low, gravelly voice. Again just at the divide between hearing and imagining. I turned to Doctor Marston but he was oblivious. Was I imagining things? Did I actually belong here?

“Something I don't understand. Why Paula?”

“Oh, that was a game we used to play when we were younger. You know, let's pretend? Em and Charley liked to pretend they were guys. Em used to call herself Paul; I guess you misheard her.”

“And your other sister?”

“She liked the name Jordan. Her real name's Charlotte.”

“Ah. Explains a few things.”

We walked on in silence. From the picture DI Chubb had shown me, Jordan was going to be somewhat more of a handful than Paul and I was getting nervous. Doctor Marston was as well.

“Your other sister. Something of a different animal. Sorry not very PC, but she's not so calm as Paula. Sorry Emily. Visit will need to be supervised I'm afraid. Your safety. Sorry no choice.”

Jordan's room, or perhaps cell would be more appropriate, was down a long corridor, through several locked and barred gates and finally behind a thick steel door. A burly nurse stood with us outside the room as Doctor Marston made use of his key-card again.

This room was very different from Paul's. No furniture, one small, barred window high up and the floor and all the walls were padded, quilted. I almost expected Jordan to be wearing a straightjacket as he had been in the police photograph, but instead he had on a white, cotton nightdress with lace collar and an embroidered bodice. He turned at the sound of the door opening, his face placid but calculating. The moment he saw me he flew into a rage and charged. I staggered back from hands reaching with murderous intent for my neck as the nurse barged past me and tackled him to the floor.

“What did you do to me you heartless bitch? What did you do to me? You change me back you fucking cow. You change me back now.”

He was struggling against the nurse and weeping desperate, bitter tears as he squirmed futilely in the big man's grip.

I managed to recover from the shock of the attack enough to gather my scattered wits and find my voice.

“What makes you think I did this to you Jordan? What makes you think it was me? Didn't she have green eyes?”

The thrashing stopped and he stared at me.

“What do you know about it?”

“More than I care to say, but I know what happened to you. It happened to me too, and I'm here to help.”

“Why would you?”

“Look at me Charlotte. You remember me? I'm Liz, you remember when you and Emily and I played together and you wanted to be called Jordan and Em wanted be called Paul? I'm your sister Charley, how could I not do everything in my power to help.”

I was gambling everything on the intelligence in his eyes. He wasn't so much cracking up at what had happened to him as livid. The look he had given me was enough to melt steel.

“Liz?”

It was command performance good. I could have believed he was my sister from the emotion he put into that one word. He added a couple more, equally convincing.

“What happened?”

Keep it vague. The less you have to make up the less chance you have of tripping up.

“I don't know Charley, I was hoping you or Em could tell me something. The two of you came down to London partying at some nightclub — I couldn't, you remember? I had that thing at work. The next day your mobile phones were giving out of service messages. Eventually I managed to get a job here and found a lead or two as to what might have happened to you. That's when the police contacted me and said they'd already picked you and Em up and that you were here.

“I want to help Charley. I brought you some things.”

“What sort of things?”

“Jeans, tee-shirts, pyjamas. Things you'll feel more comfortable in.”

“Can I see?”

I put the bag down on the floor as near to him as I dared. The nurse released his hold enough for Jordan to pick the bag up and look through it. He had a very studied expression on his face when he came up.

“What happens now?”

“Well I'm going to keep on visiting as often as I can to see what I can do to help. You need to convince these guys that you're safe to be around, that you won't try and snap my head off, then I guess we get to talk. Depending on how well you do, well actually that's not my call but maybe Doctor Marston?”

“Maybe. We'll see. Long road ahead Jordan, or is it Charlotte now?”

“I prefer Charley.”

Doctor Marston nodded his head then turned to me.

“Best keep it short today. Miss Raeburn?”

He indicated the door.

“Keep it real Charley. Try and keep calm. I'll be back to visit you as soon as I can. Just be patient.”

He nodded and I preceded the doctor and nurse out of the room.

“Word in my office Miss Raeburn?”

“Yes doctor.”

-oOo-

All the way back to Doctor Marston's office I kept looking around like a spooked meerkat, all the while expecting that voice again, but it didn't come. In no time I was sitting in a comfortable chair with a cup of half decent coffee in my hands. The doctor settled behind his desk and steepled his fingers.

“The green eyed lady. Explain.”

This was a question I'd been dreading. I'd had to come up with a bit of fiction here and I wasn't sure how believable it would be.

“The police told me they'd both mentioned her. It was part of one of our let's pretend games. We'd meet this witch and she'd magically turn my sisters into men. We always imagined her as having green eyes and red hair because Em read something somewhere about that being the Devil's favourite. I just took a chance that it might help.”

“Anything else you can say, might help?”

“They're both tomboys, always have been. If they can wear men's pyjamas and anything else that's not frilly it might help. That and Em's room could be a little less girly.”

“Not happy with that. Current delusion is they think they were male. Give them a male environment will reinforce that notion.”

“Or make them feel more at home because they're more used to plainer things instead of all this fru-fru stuff.”

“Hmm.”

“Try it for a week, if it doesn't work then you can go back to your satin and lace idea.”

“You'll visit again.”

“Absolutely, as often as I can. Next Saturday ok?”

“Once a week probably as much as we can allow for now. Thank-you Miss Raeburn. Worthwhile progress today.”

He stood up abruptly and held out a hand. Mannerisms to match his speech. I put down my half-finished coffee and shook his hand.

The nurse on reception noted down next week's visit in the dairy then smiled at me.

“Embrasure?”

It took a moment to register, but light downed through the murk.

“Oh, er... Pheonix.”

“Thank-you Miss Raeburn. We'll see you next week.”

And like that I was back in front of the magnificent building with my car keys in my hand. It was still light and I was at loss for something to do. I felt that the visits had gone well for a first time. I wondered if I could make it a hat-trick.

First to call Mike though. The restaurant wouldn't be open yet, though at a guess they would be whizzing around like amphetamine enhanced bluebottles trying to get things ready. Still Mike would spare me a couple of minutes. The phone answered on the second ring.

“Mike's place.”

Despite the calm in the young voice, I could hear pots and pans crashing in the background. I'd better make this quick.

“Hi James, it's Liz.”

“Hang on a mo.”

The sound muffled as a hand went over the receiver. I could still hear James's raised voice clearly enough though.”

“Oh most highly exalted one. Thy queen wisheth to bendeth thine lug-hole.”

“Give that here you daft pillock and get back to your bouille-abaisse. It's a bit short on thyme.”

Mike's voice suddenly came through loud and clear.

“Hi Liz, how did it go.”

“Really well. Surprisingly well. It'll take time but it's definitely not going to be wasted.”

“That's great. So what are your plans now?”

“I thought I might head up to see my Mum and Dad, see if I can make any progress there.”

“Are you sure? I mean you don't want to tempt fate or anything do you?”

“Fate's been pretty kind to me recently. I don't think this is stretching things too far.”

“Ok, well good luck with it and don't drive tired. If it gets too late scrounge a bed with that brother of yours.”

“Will do. See you at church tomorrow?”

“Sure. We need to talk to Pastor James about dates and details anyway don't we?”

“Yes we do. I love you, see you tomorrow.”

“I love you too.”

The phone went quiet. I chucked it on the seat next to me and started the car. In the burble of the exhaust the hint of a voice drifted through. Low and scratchy as before.

“I warned you to leave them be. They're mine and now so are you.”

A chill spread through me. Either I was going insane or something very unpleasant had just turned its baleful eyes in my direction. I looked uneasily over at the empty seat next to me. I'm sure it was my imagination, but there seemed to be just the faintest hint of an outline of a man in a dark suit.

-oOo-

Getting back onto the M25 was easy and I sped north until about a mile before the Dartford crossing. They'd done a lot of work to improve the traffic flow through here, but at half past five, even on a Saturday, it started to clog up. Still the snarl moved through steadily if slowly and by six I was on the north side of the Thames heading round for the M11 and an hour's drive north to my parents' home. The little car sped along comfortably on the motorway — not its favourite type of road, but it handled it well enough — and by quarter to eight I found myself easing the low slung vehicle over sleeping policemen and into a familiar drive and the house I had grown up in.

I knocked on the door, nervous but determined. The bell hadn't worked in twenty years and I doubted Dad would get around to it now. Unconsciously I had used the same shave-and-a-haircut rhythm I always used to use. It took a moment for my mother's face to appear, and another for hope to fade into confusion in her eyes.

“Hello, can I help you?”

I so wanted to call her Mum or Mummy, but knew if I pushed this too fast I would ruin it, probably for good. I reigned in my galloping feelings and took a deep breath.

“My name's Elizabeth Raeburn. You, er, visited me in hospital a few weeks back.”

“Oh yes that strange thing about my son Kenneth.”

I always hated the full version of my name and it did me no good to hear it now. I took a deep breath. Take it slow Lizzy.

“I wonder if I could come in and speak with you for a while. Is D... Is your husband in?”

“George is in the living room. I suppose... Yes I suppose it would be alright.”

She stood to one side and I stepped into the hall. I rubbed my hand absent-mindedly over a patch of wall where I had thrown a cricket ball in a fit of rage. It was smooth and painted over now, the event some eighteen years in the past, back when Dad knew a thing or two about decorating and wasn't averse to trying.

Mum was giving me some odd looks as a walked ahead of her into the lounge.

“Who is it Olive?”

Dad's voice was old and tired. I hadn't noticed that about him the last time we'd spoken.

“Do you remember that young lady Glen insisted we go and see in London? Well she's come to visit us. Would you like some tea? I just made a pot.”

“That would be lovely, thank-you.”

“How do you take it?”

“Milk no sugar please.”

Mum and Dad had always been PG tips fans so there was no question about this needing special treatment with lemon or similar.

I perched on a chair with my cup and saucer and wondered how I was going to do this. Memories flashed across my mind and in each one there seemed to be a hint of disappointment or distaste in their eyes. Was I deluding myself that they would welcome me now?

“Here, I know you. You're that young girl on the telly. The one who's doing work with the homeless. That's good work that is. I'll bet your folks are right proud of you.”

And I saw my way in.

“I certainly hope they might be. My dad used to say London is a place where there are too many people too wrapped up in their own needs to see those of others around them. I guess he taught me to see beyond those needs.”

“You use to say that didn't you George? Funny that your dad said the same thing, don't you think?”

First strike neatly blocked. I took a nervous sip of tea.

“So what is you wanted to see us about dear? You've come a long way so it must be important.”

“I er. It's about Ken.”

“Our son Ken?”

Did I notice a slight down-turning of the mouth?

“He hasn't phoned in several months now. Mind you he never was very good at keeping in touch.”

What do you mean? I used to phone through at least once a week. I couldn't say that though, not spring it so quickly.

“Things have been a bit difficult for him lately.”

“Oh I've heard about this. Glen told us a young lady called to say he was alright but he had to go into hiding. I mean I don't know what he did to have to do that. I don't suppose it was you that phoned through was it?”

Another chance.

“Yes it was, but I wasn't calling to pass on a message from Ken.”

My mum and dad looked at each other, mystified.

“Then why dear? And how did you know all those things about our son.”

“Because... er... because... Oh b... I'm sorry, this is difficult.”

“Take your time dear. It's not as if we're going anywhere is it?”

She laughed. More to try and put me at ease I think than because she thought she was funny. She never really had a particularly sensitive funny bone my Mum. I was going to have to go for broke here.

“It's because it's me Mum, Dad. I'm Ken.”

I don't know what I expected. You'd have thought that with my not so distant experiences with Mike, I'd learn to be a little more selective about what I said and when I said it. Dad leaned forward in his chair. Old age had slackened much of the skin on his face, hiding his expression, but his eyes were flinty and unforgiving.

“Is this some sort of a joke? Because I find it to be in very poor taste. There is no way you could be our son.”

“Not unless something miraculous happened. I mean I know I don't look anything like him. I'm shorter, slimmer, quite apart from being female now, but inside this is still me. This is still Ken.”

I tapped my head and my chest for effect. I turned to my mother.

“That patch of wall in the hallway. Do you remember I threw a cricket ball at it when I was nine.”

“Oh no dear, that happened eighteen years ago. You wouldn't have been born then. Or maybe only just.”

I closed my eyes in frustration.

“No Mum. I may look eighteen, but I'm really twenty-seven. I met a strange woman and she did this to me. I don't know, call it magic or a miracle, even a curse though I don't see it that way, but she changed me into this. Inside I'm still Ken. How could I know things otherwise.”

My dad heaved himself up out of his chair, a herculean effort with his bad knee, and stared across at me.

“Young lady, I don't believe in such things. This seems to me to be a practical joke in disappointingly bad taste, and one you wouldn't have been able to perpetrate without the help of my younger son.”

Was that another frown of disappointment as he referred to me? Did they find it so easy to believe that I was such a lost cause?

“I'm sorry my dear, but I'm not going to sit here and listen to any more of your nonsense. We've invited you in and you've paid us back in a very poor way for our hospitality. I think I'm going to have to ask you to leave.”

“Please wait Dad...”

“Don't call me that. I never had a daughter and I'm not so senile that I don’t know that for a fact.”

“Will you please at least ask me some questions. Things that your son would know that he would never have thought to tell someone like the person you think I am.”

“No, I'm sorry. I have no time for this idiocy. I've asked you to leave and now I'm asking a second time. If you refuse, I shall be forced to call the police.”

No I couldn't do this.

“That won't be necessary. I'm sorry for disturbing you Mr and Mrs Stanton.”

I put down my cup of tea on the coaster then stood and walked to the door.

“I wish you could believe in the amazing just this once.”

“Hah. That sounds like some drivel Ken would say. I must say you play your part very well Miss Raeburn. Frankly I find it astonishing that a level headed and well-meaning girl such as yourself would allow herself to be lured into something like this. Please give Ken our regards when you see him, but next time he can call us himself.”

He shut the door on me and I found myself out in the cold.

“See how they disapprove of you? Were you always such a disappointment to them?”

The low scratchy voice was in my head now. Still quiet, but somehow clearer.

“You're a failure and an abomination. How can anyone love you?”

I started to drive. There was no thought of going round Glen and Lisa's, I couldn't face them right now. Besides it wouldn't take me that long to get home once I was on the road. How could anyone love me? I thought of Mike.

“Oh yes Mike. Didn't he drop you at the first sign of trouble? Twice? You're damaged goods Ken. Neither one thing nor the other. No wonder your parents shake their heads and frown their frowns when they think of you. You don't belong in this world. You are just a sick, twisted mistake that mother nature spewed out and instantly forgot.”

I was crying now and the road was blurring through the tears. I tried to focus. My name isn't Ken, it's Elizabeth.

“And doesn't that just show you for the miserable, warped mess you are? Not even holding onto the name you were given, that's just ungrateful. You don't deserve them. It's as well they threw you out when they did. You deserve to be thrown out. Like the garbage you are.”

I was given the name Elizabeth.

“Oh yes, a few kind words by a tramp in a park. Very fitting that you should be given your new name by the filth from the streets.”

It was raining now. I had the windscreen wipers on, but it was hard to tell if my blurred vision was caused by raindrops on glass or the tears which continued to flood my eyes. Suddenly there were lights ahead of me. Red lights and the tall yellow back end of a lorry, too close. I jammed on my brakes. An ugly laughter drifted across my awareness and one last phrase.

“You're mine.”

-oOo-

* Barking and Dagenham East are both stops on the District Line of the London Underground. Barking is also a shortened form of barking mad, so if you are Dagenham East you are madder still.

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Comments

S**t

This is an ugly turn.

Karen J.


"Life is not measured by the breaths you take, but by the moments that take your breath away.”
George Carlin

shouldnt happen

he shouldnt be able to bother her, god should be protecting her. I think she'll be ok.

hugs :)
Michelle SidheElf Amaianna

Who gets attacked

Actually I believe that God is protecting Liz, even if indirectly through her friends and boss.

The main issue is why is the devil attacking Liz just now, and not in the day/weeks before. The answer can be found in an analogy with military history and tactics. Who bears the brunt of casualties during a battle? It is allways the front line! Liz is sperheading an attack on a situation (homeless people) that greatly favors the devil and his desire for caos, dispair and utlimately crime. So when he sees someone encroach on his (percieved) territory, he will try to strike back.

So if you are trying to do something good and get attacked by evil, that can only mean that you appear to be on the right track. Because evil feels threatend, it thrashes out. I dare say, that our gut feelings function the same way -- and many people even react that way.

Jessica

New Christian

Liz is a brand-new Christian. Satan is the prince of lies. He's an expert at it -- with literally millennia of experience. Hopefully, Liz will soon learn that a quick prayer is the best way to deal with a direct attack like that. Another quick remedy is to realize that the Devil is a (literally) damned liar.

Lie #1: She is not, and never will be his. Even if he kills her, she is not his.

“You're mine.”

who is this voice? can she fight it? at least she had some positive results with her "sisters"

"I'm not like other people - Pain hurts me!" - Daffy Duck.

dorothycolleen

DogSig.png

Hmm, yes

kristina l s's picture

What Karen said. The devil is a shit, which is perhaps speakin' the bleedin' obvious. Then such overt interference maybe gives the other team a chance to lob a return. Nice stuff in the hospital though, well except for Mr Scratchy voice. Shame about the folks, stubborn but understandably so, not an easy story to sell. Same time, same....

Kristina

you're mine

I got the feeling liz isnt the only one who is "his"... sounds mightily like daddy got owned as well. another soul to rescue

I do worry about the two sisters. The only cure would be to turn them back, as we all know that transgenderism isn't curable by medicine or therapy... its not a disease.

spelling them into accepting they are girls would be a form of identity death. As glad as i am that i'm finally a girl, i wouldn't wish it on my male friends.

anyways, curious to see how you will handle this.

Love,
Amber-Willow Talamasca

How to beat the devil?

Just a thought!

Is Mike the devil? Your mine the devil said?

Now that would be a real twist to this great chapter?

LoL
Rita

Age is an issue of mind over matter.
If you don't mind, it doesn't matter!
(Mark Twain)

LoL
Rita

You Meant it for Evil - 16

Can only hope that the Angel who helped her out before will be there, now and that Mike will be there as well. Maybe even have this attack backfire and her parents love her.

    Stanman
May Your Light Forever Shine
    Stanman
May Your Light Forever Shine

Hope?

Jemima Tychonaut's picture

It feels like there may be real hope for the new Emily for the future, though Charlotte's anger may be a problem even if she can fake being sane. Mr Scratchy Voice probably isn't going to give whatever hold he has over them if he can avoid it, which I assume is related to tormenting them about their situation from the way he worked with Liz before rather than direct physical intervention. I wouldn't put it past Mr SV to encourage Charlotte to do something bad to Liz though.

Thank you for an enjoyable chapter. For me the good vs evil element raises the story rather well above just being a wish fulfillment 'magical girl' tale (not that there is anything wrong with them!).



"Life moves pretty fast. If you don't stop and look around once in a while, you could miss it."

I agree

an ugly turn. This story doesn't need these kind of cheap Hollywood horror flick twist in events, totally out of character for the main lead.

And sorry to disagree, but no I don't think this story 'needs' a little good vs evil plot device to lift it above the simple wish fulfillment 'magical girl' tale. More so even, I think the good vs evil is rather cheap all by itself.

What would be far more interesting is the struggle for both new 'sisters' of Elizabeth. To become free from the ward. To come to terms with their new gender. To learn how they cope with being FtM, IF they cope. What they'll -want to- do with or about it.

Because, let's face it, Maeryn had created two GID 'sisters' for Liz, or so it seems, and now this could be interesting. I don't care much for the 'good vs evil'. It's sooo 20th century.

Jo-Anne

Sorry to disappoint

and to disagree. The whole good vs evil thing has been a part of this story from the beginning, kind if implied in the title for one thing, and while it's not the only issue I'm trying to explore with the story, it is one that fits into the whole. There has been a more than normally overt supernatural aspect throughout the story, from Ken's initial change to the tramp in the park to the resolution of Mary's involvement to the appearance of twelve identical girls. Yes good vs evil is 20th century. It's also 19th, 18th, 17th and all the way back through history, just as it's 21st.

If you're accusing me of being too heavy handed and Omenesque in the way I handled this chapter, perhaps I'll have to plead guilty. Perhaps it lacks some subtlety, but the man in black is a loose end that deserves if not needs some amount of tying up, and he wouldn't have just slunk off after the Mary incident.

I do have plans to develop Emily and Charlotte, at least to some degree, because yes they do give an opportunity to explore GID from another aspect. I hope that gives you enough reason to keep reading.

Maeryn Lamonte, the girl inside

Maeryn Lamonte, the girl inside

Well, how do I explain myself

and about why I am so disappointed in this little twist. The harshness of my tenor. The audacity to doubt the course the story is taken into. And to voice my opinion even.

Let me begin with why I read this story. It is because it is more than the average 'Oh I am changed into a beautiful girl, JUST like I always wanted. Now I am happy, and I'll live merrily ever after.'

Don't be mistaken, I dearly love those too, albeit some are a trifle too simple and rose-tinted. But I think it's wonderful to dream away on some little fluff like that, and...imagine.... *sigh* Life as it is can be hard enough. And though I know my prose and/or grammar are not up to snuff, I do like stories to be well written and fluent. You meant it for evil does answer that requirement very well indeed.

But for fluff it's well above par, and I love that. It's so rewarding to lose oneself in a tale which takes you into places you haven't thought off yourself before. When I learned, about how Ken became Elizabeth, and the why, and the underlying mechanics of forces for good and evil, I shirked away a little. I am not overly fond of metaphysical theological theorisation, and especially not in relation to transgender issues.

I think I interpreted this title rather more metaphorically. Just like the whole story. I thought it was more about the struggle within, and with the outside world sometimes to a lesser degree when dealing with agencies and officials, sometimes intense when dealing with others nearby.

The how and who with the -magical- change was not very important in my opinion, these I considered plot devices, used to carry out change and draw the characters that would flesh out the story and it's intent. How to persevere, turn bad start into good end, how some compassion, open mind, and belligerence could turn seemingly hopeless situations around.

With the resurgence of 'the evil one' you made it more than a plot device, imo. It became a more tangible phenomena. The supernatural aspect, as you mentioned it, is gaining too much influence in the story which I feel is detrimental to the whole. It feels a little too religious for me, spiritual, hokey pokey stuff, while useful for storytelling, isn't my cup of tea.

I am sure I'll offend some of you, or all of you, when I say: I am not a believer. There is no god, no allah, no yahweh, just like there are no fairy's, pixies, demons nor angels. Other than in story telling.

Now if a story, any story, is venturing into the supernatural with a zeal bordering on to religious belief I start to waver, do I still want to read on.. And sometimes I comment. So it went here, I am afraid the story is venturing into the religious realm. If it was already, it was below my radar.

I am funny that way. Sometimes when I feel a story is particularly good, but don't agree with a certain way it seems to be turning to, I write that I don't agree. Maybe my words may come about harsh, but I don't think I am particularly offensive, am I? If so, I do apologize for the use of some ill chosen adjectives.

Do I turn away now? Now, not so fast. It's still a good story, and if the previous chapters were any indication, the remaining ones might be too. So I'll certainly will read the next. And the next.

Geez, I've read Heaven and Hell stories by Maggie Finson, or Half Lilin by Shin Eris to name just a few. Or maybe these are bad examples :). Anyway, I am not totally against religion. Just not for me, I only try to be a decent human being. That's though enough.

Jo-Anne

Thank-you

Thank-you for taking the time to explain your point of view. From your first comment I had no idea that English was not your first language.

As I think I said earlier, I have tried to include many aspects to this story and a large part of this has been Liz's new perspective since the change and the exploration of what she finds wonderful about being a woman. I do try for consistency in my stories though, and since there has been an overt supernatural aspect since the outset, I maintain that this last chapter fits in with what has gone before.

It saddens me that you have not found reason enough to believe in anything more than is obvious in this world, but I will not try to tell you that you are wrong. I am a believer because of my experiences rather than being brought up to believe, so we shall have to agree to differ in this respect.

I try not to preach with my stories and have no intention of making this one a soapbox for my beliefs. What I believe does feature strongly in the values I express though, and these supernatural beings are helpful in putting forward something of what I want to say in the story.

I don't have any evidence to suggest that angels and demons exist or act as overtly as I have portrayed here. They grew from the unnatural way in which Ken was transformed into Liz and now exist within this story as personification of what I believe to be at the root of good and evil, respectively selflessness and selfishness.

I'm grateful for your positive comments as much as for your challenge and I will bear your words in mind as I write the next chapters. I don't make any promises as to how this will work out, but there will be more from Liz's two sisters soon.

Maeryn Lamonte, the girl inside

Maeryn Lamonte, the girl inside

How is it you feel entitled to ....

so harshly criticise this story? It is no more out there than "The X-files" or Poe, or The Iron Maiden. (The torture/terror movie from the 50's).

And it does give voice to another sentiment in T literature that is not often heard. I am one who so understands the two latest characters, oh so well. And yes at times there does seem to be a sinister, evil force in our lives.

No, I think that the author is doing a wonderful job, and I welcome the departure from the usual narrow dribble.

Khadijah

I agree, Khadijah

It's a wonderful story that does a good job of exploring the age old good vs. evil battle -- and without putting them on an equal footing, I might add.

I am enjoying this story.

Harsh smarsh

In previous comments I've stated that I'm happy to receive any criticism, be it negative or positive, so I'm not really in a position to complain when people take me at my word. While the terms used could have been gentler, I'm grateful to Jo-Anne for posting her opinion. I value every response I receive and carefully consider the words written before deciding what I should do about them.

Thanks for your kind thoughts and please keep them coming.

Maeryn Lamonte, the girl inside

Maeryn Lamonte, the girl inside

The voice

At a guess, I'd say it's the same demon that 'created' Mary and nearly tried to claim her. Having failed with her, it's not satisfied with the dozen or so newly minted girls it's already got and is trying to bag the lot. As strange as it may seem, this car accident may help her rise above the demon and work even harder to do the best for herself and her two surviving 'sisters'. As she was approaching traffic lights anyway, she may not have been going too fast, so while she may have a brief spell in hospital, there probably won't be anything too severe. Sharon, Phil and Mike will probably all visit and lend their support and sympathy. While it would be nice for the angel to reappear, this is probably a battle for Liz to get through on her own.

As for Emily and Charlie, while it's very unlikely they'll be able to return to being males (at least not without undergoing a F2M sex change - and that may not work, as it wouldn't surprise me if the magic used would counter the effects of testosterone application or result in busts regrowing after a mastectomy). However, Liz may be able to coax them into a mental state suitable for discharge, invite them to take up residence back home, and work on further acceptance of their new bodies (while keeping to androgynous clothing for the medium term at least).

 

Bike Resources

There are 10 kinds of people in the world - those who understand binary and those who don't...

As the right side of the brain controls the left side of the body, then only left-handers are in their right mind!

Think the lights are brake lights on the truck/lory

Thus the devil/demon or whatever is preying on old deep feelings of Liz from her male years to distract her attention from her driving long enough to kill or maim her in a traffic accident, thus pulling a serious thorn out of HIS side. And from her charity work and the effect her short visit had on her two fellow victims, she is a serious thorn in the side of evil. Remember the story title IS You Meant it for Evil. As Liz has been turning what was meant for evil into a force for good, the devil/demon is rightly pissed at her. But if the bad guys can interfere in her life, then *the balance* allows the good guys to interfere in her favor.

The two other Liz's -- Charlotte and Emily -- are HIS for now as their despair has them in torment where this demon wants them. Liz at the moment may be his but that is to be seen. She is a tough girl and in her right skin post curse so if she survives she can break away from the dark influences.

As to her parents being HIS? Stress is aging them, particularly the dad but then the dad was long disapproving of his son and mom backed dad or so I assume. IMHO dad is perhaps not so much HIS, the demon's pawn, but is heading down that path. The Liz clones that killed themselves are HIS in that he destroyed them and may, the operative word is may, have their souls. But maybe Liz can free them.

Dark, yes. Unexpected or cheap? I don't think so. The initial transformation was by magic, her new name came from another magical person, an angel(?) and so on. Seems reasonable that the demon or the demon's boss would come after Liz for spoiling his plans.

I agree just helping her surviving fellow victims regain some semblance of a life would on its own be a good story but as magic, demons and angels were at the core of this story from the beginning, the re-appearance of magic/demons/angels would not be out of the blue.

I am curious to see how this turns out.

John in Wauwatosa

John in Wauwatosa

Point is

The whisperer can only do so much. He's the vote of no-confidence, he may raise some hurdles like uncertainty, like make-not-believe, but that's it. His claims of propriety are misleading, all that it means is that he is keeping closer tabs on certain someones.

In fact, had he any real power, he would have just needed to erase the smallest bit of memory from Liz, the one with the identifying word exchange.

And it is also the extent of what others can do. A word of advice, a little encouragement, a bit of spirit raising. Both sides operate on the same modus operandi here (Mary notwithstanding, she was a very special case) - they make little and subtle, subjective changes in the situation, and see if the subject falls or perseveres.

Faraway


On rights of free advertisement:
Big Closet Top Shelf

Where you can fool around like you want to and most you get is some bemused good ribbing!

Faraway


On rights of free advertisement:
Big Closet Top Shelf

Where you can fool around like you want to and most you get is some bemused good ribbing!

Barking and Dagenham

littlerocksilver's picture

There is a similar phrase known mostly to those in central Arkansas. If someone has a 'senior' moment, or can't recall something, they say they have 'Wabaseka'. Wabaseka is a small town on U.S. Highway 79 northeast of Pine Bluff, AR. The next town is Altheimer. Wabaseka is on the way to Altheimer (Alzheimers) It's a bad pun, and probably not funny at all to those who have to deal with the disease.

Portia

Portia

Don't Make This too Complicated

littlerocksilver's picture

We know there is some sort of evil spirit that started this thing in the first place. We know that the spirit captured Mary and gave her the evil task she was forced to endure. She was 'saved' due to Liz's intervention. I have a feeling it is some sort of creature that is feeding off the lost souls. It is nowhere the level of a god or satan. Liz has foiled the spirit's plan because she will be able to rescue the other enchanted individuals. The spirit will die if it can't feed; therefore, it must drag Liz down. Of course that will fail. There may be still more out there needing rescue. Liz has fortitude, and she is stronger than ever after going through her meltdown. Mike will help her, as will the others. I see a lot of hope for the future.

Portia

Portia

I Was About...

...to say essentially the same thing. No need to theorize about strategic timing on the evil entity's part or outrage over Liz's plans to help the homeless, and no need to assume Ken's parents have gone evil just because they don't believe in miracles and don't plan to start now.

The evil voice sees Liz converting two of the victims on which it feeds -- possibly the only two remaining from this project, since there aren't any more known "sisters" out there and it has no way to get more by the same means -- and it faces starvation unless it can head off the effort by retaking control of the one that got away. It's doing its best; that's the Adversary's job (and that of its minions) in the conventional theology. Liz, already knowing that both good and evil forces are personified in her world, should come out stronger in the long run, unless the apparent accident at the end of the chapter actually does finish her off while in evil's thrall.

Eric

Portia, Eric, interesting conjecture, IE the entity is feeding..

on its victims pain and misery, on negative emotions. Hum, wasn't there a Star Trek classic with that theme?

-- grin --

So with Mary gone there is no way to create new victims. I assume as no new victims have appeared it it lacks the power to corrupt and empower another Mary. I'm guessing in loosing Mary to the forces of good it lost a large part of its power, power that it had invested in her, its pain gatherer? So it is fighting to defend its dwindling food stock.

Logical and simple I suppose BUT where did the power to transform the men come from originally? How did Liz defeat it? I assume it was in part by allying herself with Mary, the increasingly unwilling avatar of the transformations. Now it sees Liz interfering with what few victims it is still able to feed from and is lashing out through whatever means it has, deception and despair.

Engaging story, magic or no.

John in Wauwatosa

John in Wauwatosa

My guess

... is the entity wants to scare Liz into being its next Mary of some kind. Not necessarily the kind of Mary that the last Mary was per se, but more than likely some instrument to provide the means to get more souls to provide misery for it to feed upon.

Kim

Madness and the London Underground

Extravagance's picture

Barking < Dagenham East...
By that logic, a person would be "Upminster" if 100% mad.
...But if they push the envelope even further, they could come off the rails entirely.

Catfolk Pride.PNG

Not sure where this came from initially.

There was something about Margaret Thatcher getting the nickname 'Daggers' Thatcher and when asked if this was because she had a habit of stabbing her cabinet ministers in the back, the response came that Dagenham (Daggers) was three stops on from Barking. Somehow I doubt this was the start, but it's probably where it gained popularity.

I like the idea of being completely off the rails, that does seem the be the natural extension of the phrase.

Maeryn Lamonte, the girl inside

Maeryn Lamonte, the girl inside

Following a consultation

Extravagance's picture

of my tube map, it seems that the station three stops beyond Barking and one before Dagenham East, is in fact Dagenham Heathway. ...Although it may have been named differently back in Margaret Thatcher's day.

...And who says logic can't be amusing? =)

Catfolk Pride.PNG

One or two of you................

KevSkegRed's picture

............seem to think that the accident will do Liz's quest to defeat evil some good and help with her parents.

Consider this though, the man in black is tormenting Liz to the point that her concentration on driving fails and that causes the accident. This man in black maybe intended this to happen, maybe if she dies, he has a better chance to get her soul. Maybe he put the truck there. Just a thought.

It's still a great story and I look forward to the next chapter.

Kev [Ρĥàńŧāśĩ»ßő™], Skeg Vegas, England, UK.

KevSkegRed, Skeg Vegas, England, UK.

Assumptions...

Everyone seems to be assuming that there will be an accident.